Hello!
I'm a singer/songwriter in the Seattle area. I feel like I've been limping along with this and I'm working on material for a second. I went through cd Baby for my first and I'm contemplating using Reverbnation for digital, and doing a limited run of physical product. Tracks from my first, Stay Close, can be heard on http://www.myspace.com/RebekahAnnCurtis
Take a listen, tell me what you think.
Live, Write, Play, Struggle, and do it all over again...
http://www.reverbnation.com/Re.....hAnnCurtis
Rebekah Ann Curtis said:
Hello!
I'm a singer/songwriter in the Seattle area. I feel like I've been limping along with this and I'm working on material for a second. I went through cd Baby for my first and I'm contemplating using Reverbnation for digital, and doing a limited run of physical product. Tracks from my first, Stay Close, can be heard on http://www.myspace.com/RebekahAnnCurtis
Take a listen, tell me what you think.
Tracks sound good Rebekah,
I don't do much with Reverbnation other than use them as a source of a little traffic. Isn't there distribution limited as compared to CD Baby? Or have they upped their game?
I really like CD Baby because you get everything with the push of a button, itunes, Amazon, bar codes, added to the retail chain catalogs, etc. But again, I haven't really looked into everything that Reverbnation offers lately.
With all of that said, I think I'm personally leaning to doing a limited physical release on my own site for my next record, and not release it anywhere else until a few months later. That way you can control the sales funnel a bit better and also create genuine scarcity. Something to at least think about.
Having trouble with your marketing? Wish you could have an experienced direct-to-fan marketing expert look over your actual campaigns, music, or content and offer feedback? Or perhaps you’re just looking for a little one-on-one assistance so you can ask questions that pertain to your specific goals and get a second, more experienced, perspective? Click here to book a session with me now.
You get everything you get with CD Baby, minus physical distribution, but they charge a flat yearly fee (35usd) vs a percentage. Depends on how many you sell. They deliver to itunes, amazon, etc.
I think I will do that, offer sales of limited physical release via personal website. Probably sign it, people get all kinds of excited if I open up a cd (to make sure one is in there), and then put my happy John Hancock on it.
Live, Write, Play, Struggle, and do it all over again...
http://www.reverbnation.com/Re.....hAnnCurtis
I love Reverbnation. It's a great way to cross link Twitter, Myspace, facebook, tumblr, have a store to sell cheesy t-shirts (seriously, I need a new design other than my face), have links to all the places that sell my music, post upcoming shows, and then I can have it set up to post all these happy events and send emails to my monthly email list of peeps. I've been with them for a few years now, and they've really worked to utilize and make it a great place for artists to use. I even have four songs with APM's music library because of them.
Live, Write, Play, Struggle, and do it all over again...
http://www.reverbnation.com/Re.....hAnnCurtis
Rebekah Ann Curtis said:
You get everything you get with CD Baby, minus physical distribution, but they charge a flat yearly fee (35usd) vs a percentage. Depends on how many you sell. They deliver to itunes, amazon, etc.
I think I will do that, offer sales of limited physical release via personal website. Probably sign it, people get all kinds of excited if I open up a cd (to make sure one is in there), and then put my happy John Hancock on it.
Scarcity is the single best selling tool. That's one of the things I focus a lot on in Music Marketing manifesto. If memory serves you are new and are not a member of MMM. Let me know if I'm mistaken.
But the basics of what I'm trying to teach are that musicians need to get away from simply seeking "exposure" and actually create a sales funnel that converts. IE, you drive traffic, you craft a series of emails that walk a prospect through the various psychological steps we all take before buying (awareness, interest, desire, action), and then you continue to sell more stuff to the same customers over time.
Scarcity is one of the most powerful arts of the sales funnel. Only catch is that it needs to be legit. Doesn't mean you can't consciously create it. But you do have to back it up and find some good reasons for it. Heck, why do you think I'm taking the Insider Circle off the market in a few days 🙂
Having trouble with your marketing? Wish you could have an experienced direct-to-fan marketing expert look over your actual campaigns, music, or content and offer feedback? Or perhaps you’re just looking for a little one-on-one assistance so you can ask questions that pertain to your specific goals and get a second, more experienced, perspective? Click here to book a session with me now.
Scarcity really is a powerful "hook". But you do have to be sincere about it because it speaks to your credibility. It's the old, don't say something and not mean it, kind of thing.
If you try the scarcity angle, but don't follow through (usually out of the fear of not getting the sales) you will pretty much screw yourself out of playing the scarcity card in the future. People won't believe ya next time.
On the other hand, if you're offering a limited release and you stick to your guns, the people who don't buy when they should have will just have to go kick rocks (and themselves) for not taking action. That's where you want them to be. Next time they'll know better. 🙂
That's where email subject lines like "Don't say I didn't warn you..." or "I may have to end this in the next few..." or even a short "Going once, going twice..." could really earn you a rush of sales right before the deadline.
***DAMAGING ADMISSION - When I first launched my info product, I limited the release to 200 copies (thinking that was a piece of cake), but I overlooked something that is now painfully obvious... It's fine to limit the number of copies being sold, but there's no telling when you'll sell that last copy.
It's needless to say, but I didn't sell 200 copies, however I still closed it out after a 2 weeks. Much to my surprise, there were still a small handful of people who decided they suddenly wanted a copy, but they missed out. I didn't go back on my word.
I didn't reach my goal, but I maintained my integrity.
Oh yeah, Rebekah, Nice Music! I'm originally from Seattle too, but now live a bit south, right on the Columbia River between Washington and Oregon. I do get up to Seattle quite often though, and I would love to catch one of your shows sometime
What would a jam session with Gordon Lightfoot, Collective Soul, and Damien Rice sound like?
Check out Greg Parke and you’ll have a pretty good idea!